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    <title>UTas ePrints - Playing the White Man: Ronald Merrick, Whiteness, and Erotic Triangles in Paul Scott’s Raj Quartet</title>
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    <meta content="Crane, Ralph J." name="eprints.creators_name" />
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Merrick, Whiteness, and Erotic
Triangles in Paul Scott’s Raj Quartet" name="eprints.title" />
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<meta content="In his seminal Survey of Anglo-Indian Fiction Bhupal Singh suggests
that ‘‘strictly speaking’’, the term Anglo-Indian fiction ‘‘means fiction
mainly describing the life of Englishmen in India’’.1 Paul Scott’s Raj
Quartet,2 which as Sabina Sawhney (amongst others) has noted, is
‘‘populated almost exclusively by the British’’, clearly fits this narrow
definition of the genre. Sawhney goes on to suggest that Scott’s
‘‘monocular vision reinforces the Western European and North
American prejudices of the relative importance of various peoples’’." name="eprints.abstract" />
<meta content="2004" name="eprints.date" />
<meta content="The Journal of Commonwealth Literature" name="eprints.publication" />
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<meta content="1 Bhupal Singh, A Survey of Anglo-Indian Fiction, London: OUP, 1934, p. 1.
2 The Jewel in the Crown, London: Arrow, 1999 (1966); The Day of the
Scorpion, London: Arrow, 1999 (1968); The Towers of Silence, London:
Arrow, 1999 (1971); A Division of the Spoils, London: Arrow, 1999 (1975).
Subsequent references are to these editions and will be cited in the text.
3 Sabina Sawhney, ‘‘The Jewels in the Crotch: The Imperial Erotic in The Raj
Quartet’’, in Sexy Bodies: The Strange Carnalities of Feminism, ed. Elizabeth
Frosz and Elspeth Probyn, London and New York: Routledge, 1995, p. 196.
4 In using the term ‘‘Index of Whiteness’’ I am deliberately echoing the term
‘‘Index of Nigrescence’’ used by Dr John Beddoe to distinguish the races of
Britain in the late nineteenth century. For more information on Beddoe’s
‘‘Index of Nigrescence’’ see, for example, Anne McClintock, Imperial
Leather: Race, Gender and Sexuality in the Colonial Context, New York
and London: Routledge, 1995, p. 52.
5 David Rubin, After the Raj: British Novels of India since 1947, Hanover and
London: University Press of New England, 1986, p. 136.
6 Rene´ Girard, Deceit, Desire and the Novel: Self and Other in Literary
Structure, trans. Yvonne Freccero, Baltimore, MD: Johns Hopkins UP,
1965.
7 Eve Kosofsky Sedgwick, Between Men: English Literature and Male
Homosocial Desire, New York: Columbia UP, 1985, p. 27.
8 After the Raj, p. 141.
9 See Homi Bhabha, ‘‘Of Mimicry and Man: The Ambivalence of Colonial
Discourse’’, in The Location of Culture, London and New York: Routledge,
1994, pp. 85–92.
10 Merrick is thus a mimic man, too, white in everything but class rather than
colour.
11 Between Men, p. 21.
12 There is a suggestion here, of course, that Merrick had been physically
attracted to Ahmed as he had earlier been to Hari, though there is no scene
which directly parallels the earlier one where Merrick first sees Hari, stripped
to the waist, washing at the pump in the courtyard of the Sanctuary.
13 It is perhaps no surprise that Sarah, like Daphne, finds Ronald Merrick
distasteful.
14 I am indebted to Eddy Kent, an MA student in my 2001 graduate class on
whiteness and the Raj Quartet, for alerting me to the pattern and importance
of the many references to Gaffur in Scott’s novels.
" name="eprints.referencetext" />
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that ‘‘strictly speaking’’, the term Anglo-Indian fiction ‘‘means fiction
mainly describing the life of Englishmen in India’’.1 Paul Scott’s Raj
Quartet,2 which as Sabina Sawhney (amongst others) has noted, is
‘‘populated almost exclusively by the British’’, clearly fits this narrow
definition of the genre. Sawhney goes on to suggest that Scott’s
‘‘monocular vision reinforces the Western European and North
American prejudices of the relative importance of various peoples’’." name="DC.description" />
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    <h1 class="ep_tm_pagetitle">Playing the White Man: Ronald Merrick, Whiteness, and Erotic Triangles in Paul Scott’s Raj Quartet</h1>
    <p style="margin-bottom: 1em" class="not_ep_block"><span class="person_name">Crane, Ralph J.</span> (2004) <xhtml:em>Playing the White Man: Ronald Merrick, Whiteness, and Erotic Triangles in Paul Scott’s Raj Quartet.</xhtml:em> The Journal of Commonwealth Literature, 39 (19). pp. 20-28. ISSN 0021-9894</p><p style="margin-bottom: 1em" class="not_ep_block"></p><table style="margin-bottom: 1em" class="not_ep_block"><tr><td valign="top" style="text-align:center"><a href="http://eprints.utas.edu.au/2350/1/playingthewhiteman.pdf"><img alt="[img]" src="http://eprints.utas.edu.au/style/images/fileicons/application_pdf.png" border="0" class="ep_doc_icon" /></a></td><td valign="top"><a href="http://eprints.utas.edu.au/2350/1/playingthewhiteman.pdf"><span class="ep_document_citation">PDF</span></a> - Full text restricted - Requires a PDF viewer<br />246Kb</td><td><form method="get" accept-charset="utf-8" action="http://eprints.utas.edu.au/cgi/request_doc"><input value="3007" name="docid" accept-charset="utf-8" type="hidden" /><div class=""><input value="Request a copy" name="_action_null" class="ep_form_action_button" onclick="return EPJS_button_pushed( '_action_null' )" type="submit" /> </div></form></td></tr></table><p style="margin-bottom: 1em" class="not_ep_block">Official URL: <a href="http://dx.doi.org/10.1177/002198904043284">http://dx.doi.org/10.1177/002198904043284</a></p><div class="not_ep_block"><h2>Abstract</h2><p style="padding-bottom: 16px; text-align: left; margin: 1em auto 0em auto">In his seminal Survey of Anglo-Indian Fiction Bhupal Singh suggests&#13;
that ‘‘strictly speaking’’, the term Anglo-Indian fiction ‘‘means fiction&#13;
mainly describing the life of Englishmen in India’’.1 Paul Scott’s Raj&#13;
Quartet,2 which as Sabina Sawhney (amongst others) has noted, is&#13;
‘‘populated almost exclusively by the British’’, clearly fits this narrow&#13;
definition of the genre. Sawhney goes on to suggest that Scott’s&#13;
‘‘monocular vision reinforces the Western European and North&#13;
American prejudices of the relative importance of various peoples’’.</p></div><table style="margin-bottom: 1em" border="0" cellpadding="3" class="not_ep_block"><tr><th valign="top" class="ep_row">Item Type:</th><td valign="top" class="ep_row">Article</td></tr><tr><th valign="top" class="ep_row">Subjects:</th><td valign="top" class="ep_row"><a href="http://eprints.utas.edu.au/view/subjects/410000.html">410000 The Arts</a><br /><a href="http://eprints.utas.edu.au/view/subjects/220000.html">220000 Social Sciences, Humanities and Arts - General</a><br /><a href="http://eprints.utas.edu.au/view/subjects/419900.html">410000 The Arts &gt; 419900 Other Arts</a></td></tr><tr><th valign="top" class="ep_row">Collections:</th><td valign="top" class="ep_row">UNSPECIFIED</td></tr><tr><th valign="top" class="ep_row">ID Code:</th><td valign="top" class="ep_row">2350</td></tr><tr><th valign="top" class="ep_row">Deposited By:</th><td valign="top" class="ep_row"><span class="ep_name_citation"><span class="person_name">Scholarly Publications Librarian</span></span></td></tr><tr><th valign="top" class="ep_row">Deposited On:</th><td valign="top" class="ep_row">29 Oct 2007 11:41</td></tr><tr><th valign="top" class="ep_row">Last Modified:</th><td valign="top" class="ep_row">07 Feb 2008 10:52</td></tr><tr><th valign="top" class="ep_row">ePrint Statistics:</th><td valign="top" class="ep_row"><a target="ePrintStats" href="/es/index.php?action=show_detail_eprint;id=2350;">View statistics for this ePrint</a></td></tr></table><p align="right">Repository Staff Only: <a href="http://eprints.utas.edu.au/cgi/users/home?screen=EPrint::View&amp;eprintid=2350">item control page</a></p>
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